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Here are all the paintings of PERRONNEAU, Jean-Baptiste 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 28329 |
 |
A Boy with a Book |
mk60
1740
Oil on canvas
25x20 1/2"
|
| 19827 |
 |
A Girl with a Kitten |
1745
Pastel
National Gallery, London. |
| 43254 |
 |
A Girl with a Kitten |
mk170
1745
Pastl on paper
59.1x49.8cm
|
| 19828 |
 |
Antoine Le Moyne |
1747
Pastel. |
| 20744 |
 |
Jean-Baptiste Oudry Painter (mk05) |
Canvas 51 1/2 x 41 1/4''(131 x 105 cm)Reception picture for the Academie Royale de Peinture et de Sculpture 1753 Collection of the Academie Royale INV 7158(MN) |
| 20743 |
 |
Madame de Sorquainville (mk05) |
1749
Canvas 40 x 32''(101 x 81 cm)Given in 1937 R.F.1937-8 |
| 8497 |
 |
Madame de Sorquainville af |
1749
Oil on canvas, 101 x 81 cm
Mus??e du Louvre, Paris |
| 79187 |
 |
nee de Parseval |
1747(1747)
Medium Oil on canvas
Dimensions 64.9 x 52.5 cm (25.6 x 20.7 in)
cyf |
| 8499 |
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Portrait of Charles le Normant du Coudray af |
Oil on canvas, 62 x 48 cm
Mus??e Cognacq-Jay, Paris |
| 8498 |
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Portrait of Jacques Cazotte af |
1760-64
Oil on canvas, 92 x 73 cm
National Gallery, London |
| 19829 |
 |
Portrait of the Painter Jean-Baptiste Oudry |
Oil on canvas
Mus??e du Louvre, Paris.
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| PERRONNEAU, Jean-Baptiste
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| French Rococo Era Painter, ca.1715-1783
French pastellist, painter and engraver. He was, with his older contemporary Maurice Quentin de La Tour, the most important pastel artist and portrait painter in 18th-century France. Perronneau trained first with the engraver Laurent Cars and then with the successful portrait painter Hubert Drouais. His work as an engraver, which includes prints after Charles-Joseph Natoire, Fran?ois Boucher, Edme Bouchardon and Carle Vanloo (see Vaillat and Ratouis de Limay,), did not continue beyond the 1730s. Nevertheless, his involvement with Cars, much of whose work consisted in the reproduction of portraits by artists such as Hyacinthe Rigaud, left its mark on the composition of his pastels, most of which employ the bust-length format, often within a feigned stone oval typical of 17th- and 18th-century engraved portraits. His early pastel portrait of Mme Desfriches (1744; France, A.M. Ratouis de Limay priv. col.), mother of his friend and patron, the Orl?ans collector Aignan-Thomas Desfriches,
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